Monday, September 30, 2013

Fanny and Alexander (The Criterion Collection) [Blu-ray]



Two Releases of Fanny and Alexander Coming This Fall
The Criterion Collection is currently working on two separate editions of the Ingmar Bergman masterpiece Fanny and Alexander. The theatrical edition ($29.95) presents the Academy Award-winning 188-minute version of the film in a two-disc set with audio commentary by film scholar Peter Cowie, a collection of introductions by Bergman to eleven of his films, and an assortment of trailers. The special-edition five-disc boxed set ($59.95) includes the complete contents of the theatrical edition as well as the five-hour director's cut of the film, Bergman's own feature-length documentary The Making of Fanny and Alexander, a new 40-minute video of exclusive interviews with cast and crew, and Ingmar Bergman Bids Farewell to Film-a one-hour filmed interview with the famed director. Look for both editions of Fanny and Alexander in November!

True 20th Century Art!
Having very little basis for comparison (since my only prior exposure to Bergman has been The Seventh Seal), I don't feel qualified to judge this film against a "Bergman standard," but I do, however, doubt that he has directed another movie as perfect as Fanny and Alexander (F&A). It is more than worthy of the 4 Oscars, Golden Globe, Guldbagge and BAFTA awards it has received. Classic movies that are great on the whole may suffer from bad acting, directing, or even whole scenes that briefly go out of focus. That, however, is not the case with this film. It draws one in and keeps one alert and interested throughout. The directing and acting is surprisingly good. Mostly superb.
The story revolves around a wealthy Swedish family who run the local theater in Uppsala, and the severe upbringing of siblings F&A in the early 1900's (the story begins on Christmas, 1907).
Bergman seems to have a unique talent of combining drama with horror, fantasy, and comedy--this I also found to be...

Imagination Triumphant
Fanny and Alexander is a feast of a film, bursting with characters, ideas and emotions. In it, Bergman celebrates sensation, imagination and the power of illusion, pitting them against his lifelong anxieties about religion and the difficulty of human connection.

Set in the early years of the twentieth century, the movie tracks the fortunes of an upper-middle-class Swedish family, headed by the widow Helena Ekdahl. We first meet the Ekdahls at the exuberant Christmas feast that opens the film. Her son Gustav is a restraunteur, a lusty, sentimental man who loves his wife and paws the maids. Karl, a professor is the weak son, drunk, chronically in debt, and abusive towards his German wife. The oldest son, Oskar, manages the family theater in which his young wife Emilie is one of the actresses. While rehearsing Hamlet one winter day, Oskar falls ill, and soon dies.

Emilie is left with two young children, ten-year- old Alexander and Fanny, eight. Bereaved...

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